My Work: The Spice People of Mattencherry

Here's a short audio slideshow which I produced in under an hour yesterday of some stills I made on Mattencherry's main street during my The Oracles of Kerala Photo Expedition/Workshop™. 

Mattencherry, part of Kochi, was once a bustling centre of trade, particularly in spices but is now but a shadow of its historical vibrancy, however godowns of ginger, basmati rice and other spices can still found on its main street. It is there that traders and porters work from the same small stores occupied by their forefathers.

All the stills are with a Leica M9 and post processed in Lightroom using my own split tone preset.

I, like many others, am at loss at what to call an audio slideshow. It seems to me that audio slideshow is cumbersome and old fashioned. Some like Benjamin Chesterton of Duckrabbit Multimedia call it photo-film...while others like John Stanmeyer call it audio-visual. Joe Weiss of SoundSlides calls it just that..soundslides.

But none of those have clicked with me.

Charlotte Rush-Bailey: Blood & Turmeric

Charlotte Rush-Bailey is a photographer who migrated to the world of photography from a corporate career that covered three decades of marketing and communications positions in a variety of global industries including energy, financial services, media, conservation, technology and professional services. This gave her opportunities to work with people all over the world, and to learn to appreciate cultural nuances and the influences of socio-political forces.

She has just produced her audio-slideshow Blood And Turmeric of her stills and ambient sound recordings made during the festival of the Oracles in Kodungallur whilst participating in my The Oracles of Kerala Photo Expedition/Workshop™.

So hold on to your seats, you'll get sweaty palms perhaps...but I'm certain you'll be bowled over by it.

The festival is called Kodungallur Bharani, a wild and unusual localized religious festival near Kochi. It is here that once a year the so-called Oracles of Kodungallur meet to celebrate both Kali and Shiva. By their thousands, these red-clad oracles arrive in this area of Kerala, and perform self mortification acts by banging on their heads with ceremonial swords repeatedly until blood trickle down their foreheads, and daub the wounds with turmeric.

Dougie Wallace: Road Wallah

Here's a movie -or what photographer Dougie Wallace calls- a "photo film" on Kolkata's unorganized (aka chaotic) transport modes. He has chosen to show us the tram drivers, the rickshaw pullers, the yellow taxis, the passengers, the pedestrian and vehicular traffic that criss-crosses this teeming city along with a soundtrack (produced by Rosie Webb) that just pulsates and throbs.

The buses, the most commonly used mode of transport, are run by government agencies and private operators, and as the photo film describes them, are haphazard to say the least. Kolkata is the only Indian city with a tram network, which I've greatly enjoyed when I was there last October. Almost all of Kolkata's taxis I have seen were old Ambassador cars, with little if any modern amenities. Hand-pulled rickshaws are extensively used by the public for short trips.

 Dougie Wallace is London based but grew up in Glasgow. He lived in east London for 15 years but spends a lot of time travelling abroad. I suggest you view his project titled Reflections On Life which features scenes from the daily commute in a number of cities ranging from Lisbon, Egypt and Eastern Europe, including Sarajevo, Ukraine and Albania.

The Oracles Of Kodungallur

The Oracles of Kodungallur celebrate their festival in the Bhagawati temple, which usually occurs between the months of March and April. It involves sacrifice of cocks and shedding of the Oracles own blood, to appease the goddess Kali and her demons who are said to relish blood offerings.

"It was one of the most intense photographic experience I've had in a long while."

The festival is overseen by the aging King of Kodungallur where hordes of Oracles (Vellichapads in local Malayalam) stampede around the temple waving their curved swords while chanting abuse at the goddess.

This 4 minutes movie (using SoundSlides for the still photographs and Audacity to edit its audio, and then converted to a movie file) was made of material gathered during my The Oracles of Kerala Photo Expedition/Workshop™. I struggled with putting its audio all together, and it's still far from perfect, and I intend to refine it in weeks to come, but it will do the time being.

It was one of the most intense photographic experience I've had in a long while, even surpassing the intensity of the Maha Kumbh Mela in 2001. The seeming abandon with which the Oracles injured themselves by repeatedly striking their foreheads with their swords was disturbing at first but, in due time, I realized that their companions made sure that it didn't go too far, and took care that in the heat of their trances, the Oracles didn't injure anyone else.

Not for the fainthearted, it was also a draining experience over two long days for all the participants in my workshop, and I admired the women in our group who immersed themselves in photographing and documenting this event...not an easy task in view of the density and raucousness of the crowds. We returned every night to our hotel, exhausted, filthy, sweaty, thirsty and covered with turmeric powder...but exhilarated by what we saw and photographed.

And that's the image of the SoundSlides' interface. I print and use it as a scratchpad/storyboard...jotting down timings etc.

Constantine Manos: Personal Documentary

About 12 years ago, I had joined a workshop in Havana with Constantine Manos which, if I recall correctly, was sponsored by the Maine Photo Workshops. It was the second photo workshop I attended, and was quite different from the first in which I learned virtually nothing.

Constantine's (or Costa's) workshop in Havana was centered around the so-called decisive moment in street photography...one of the many photographic disciplines I knew absolutely nothing of. It was in the pre-digital days, and we had to shoot film and have it processed in these 2-hour processing shops. I recall that our group had to show Costa individual portfolios, and having taken a good look at mine (mostly portraits of India and Bhutan), he frowned and told me "...your pictures are too simple...".

This advice still resonates with me....and I worked hard to make my photography more complex since then....sometimes succeeding and often failing. Leading my own workshops now,  that's one of the lines I use the most often....

This short movie, narrated by Costa himself, is produced by Magnum In Motion and Leica. By the way, there's a typo...it's spelled Ku Klux Klan.

The Travel Photographer's The Vedic Disciples

This is the second of my multimedia (audio slideshows) projects of stills, audio and video made during my The Oracles of Kerala Photo Expedition/Workshop™. It's of the activities at an ancient Vedic 'gurukul' (or training/boarding school; very similar to the Buddhist monasteries for novitiates), where we were treated to a demonstration of this way of teaching sacred Vedic scriptures.

It is an ancient Indian educational system, which is currently being rejuvenated with the assistance of the Indian government. The young boys who populate the Vedic school usually belong to a caste of Keralan Brahmins, who are responsible to carry on the age-old tradition of chanting Vedas during religious rituals or functions. The chanting is learned by practice, and nothing is written down.

The rhythm of the Vedic chants is followed by the young boys' moving their bodies in cadence to the verses, which reminded me how the Buddhist novices recite their mantras, or how the Islamic students recite the Qur'an at their madrasas.

You can watch The Vedic Disciples on Vimeo as well.

18 Days In Egypt

A power struggle of epic proportions between various political factions is currently underway in Egypt...essentially a troika of conflicting interests, the power struggle is manifesting itself overtly and covertly. Overtly, the battle for power is over the presidency, and is between the Muslim Brotherhood, (a comparatively pragmatic Islamic movement) the Salafists (a regressive Islamist faction), and the military establishment. The secular forces seem to have been marginalized, even though it was its youth who sparked and carried through the revolution in 2011.

That said, it's not over till the fat lady sings...and there will be more twists and turns to this story as it enfolds over the days and weeks to come.

I thought the 18DaysIn Egypt documentary being worked on by filmmaker and journalist Jigar Mehta is working on a new kind of documentary is especially timely in such a fluid political situation. It's a crowd-sourced interactive documentary project aimed at capturing the history of the revolution in Egypt.

The context of this documentary is simple enough. In the 18 days of Egypt's uprising that began on January 25, 2011 and that ended with the resignation of Hosni Mubarak, thousands of Egyptians turned to their cell phones, digital cameras or social media sites to document the events unfolding in Cairo and across the country.

Tapping into this wealth of material, American documentary filmmaker and journalist Jigar Mehta co-founded 18DaysInEgypt.

Anthony Pond: 10,000 Verses

Anthony Pond has just produced another audio slideshow of black and white photographs made at the Vadakke Madham Brahmaswam Vedic Institute in Thrissur, Kerela, India where young novices spend five years learning Vedic chants.

It was made during my The Oracles of Kerala Photo Expedition/Workshop™ when I arranged a photo shoot at this ancient Vedic gurukul (a training and boarding school very similar to Buddhist monasteries for its novitiates, or Muslim madrasas) in Thrissur, where we were allowed to attend demonstrations of this way of teaching and reciting sacred Vedic scriptures.

One of the suggestions I make during my workshops was that essays produced by its participants ought to have intriguing titles. I certainly think Anthony did well with his one.

Anthony worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he travels repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture.

You can view more of Anthony's audio slideshows on his Vimeo page.

Verdict: The Oracles of Kerala Photo Expedition-Workshop

Photo © Tewfic El-Sawy-All Rights Reserved

"...the uniqueness of this photo expedition-workshop..."

That's how one of the group members started to express his satisfaction in having attended The Oracles Of Kerala Photo-Expedition-Workshop while bidding goodbye to me and the rest of the group.

Uniqueness! It's precisely what I strive for when I structure my itineraries and programs for my photo expeditions/workshops. Are all of those based on unique itineraries? Of course not...but most of them are. The Oracles Of Kerala Photo-Expedition-Workshop was based on two main Hindu religious festivals: Thirunakkara Arattu Utsavam, a 10-day temple festival, and the Kodungallur Bharani, a wild and unusual localized religious festival near Kochi. The former is a Hindu religious extravaganza with elephants, while the latter surpasses the famed Kumbh Mela in intensity. To my knowledge, no travel photographer has ever dared to conduct a photo trip/workshop covering these two festivals. 


This uniqueness of this photo expedition-workshop, as well as the positive group dynamics among its group members, certainly places it amongst the top three I have ever organized and led so far.

Spice Godown-Photo © Tewfic El-Sawy-All Rights Reserved

Now cutting to the chase, here are the planned photo shoots that worked well:


1. The Fishermen of Punnapra. 
2. The Vedic School in Thrissur.
3. The Thirunakkara Arattu Utsavam Festival. (Drummers & elephants galore)
4. The Shadow Puppets near Cheruthuruthy. (Excellent!)
5. The Kathakali performance at the Kerala Kalamandalam. (Superb!)
6. The Kodungallur Bharani aka The Festival of Oracles. (Incredibly Intense).

Vedic Gurukul-Photo © Tewfic El-Sawy-All Rights Reserved

Although the group members liked the photo shoot at the Mattencherry spice godowns, it was rather mundane, at least from my perspective. The photo shoot at the Kochi Chinese nets was passable. The photo shoot planned at the oldest mosque in India known as the Cheraman Juma Masjid was a total failure from a visual standpoint. Nothing of its original structure remains, and its artefacts are copies of the originals (lost or pilfered). I can add to this that no one can make non Muslim visitors feel more unwelcome to mosques as blinkered Islamic clerics. The short visit to the adjacent Islamic school was, in contrast, a pleasant experience with delightful young students.

I fault myself for not having double checked the information provided by our guide which resulted in our being late in attending the last day of the Thirunakkara Arattu Utsavam Festival. The local policemen saved the day by getting some of us through the throngs of people. They were very helpful, and wanted us to get to the best vantage points, and as close to the elephants as possible.

Logistically, the photo expedition worked well. All the hotels were of high standard (mostly in the 4-star category), and their staff were very helpful. I must mention here Mr Bijou, the restaurant manager at the ABAD Whispering Palms Resort, who is an encyclopedic source for Keralite religious festivals. I wished he had joined us on the trip. 

Temple Lighting-Photo © Tewfic El-Sawy-All Rights Reserved

It was a little disappointing that the ABAD Whispering Palms Resort in Kumarakom didn't have an alcohol license, but we nevertheless managed to procure the bottles of beer so necessary for our well-being after long photo shoots. That said, the hotel provided us with a conference room where we met daily to work on our slideshows, and edit our photographs...so it more than made up for its lack of alcohol license!

The vehicle used to transport us was more than adequate, and was driven with skill by Haris Aziz, a delightful and reliable young man with a good sense of humor. He quickly became our group's go-to-man for whatever we needed. In contrast, the guide allocated to us by the local travel agent was ineffectual, and was out of depth. He was more suitable for elderly tourist groups interested in museums and history, not for a bunch of gung-ho travel photographers. I couldn't find it in me to fire him, but I should have. 

Lastly, it was immensely gratifying to witness how seriously all of the group members worked at their multimedia projects; often while exhausted. Two of the 7 photographers in the group had already attended my previous Kolkata workshop, so had a substantial head start but worked as diligently as the rest. One of us had an extremely uncooperative laptop that crashed frequently, but who never lost his sense of humor nor his interest in learning multimedia. 

To be assured that the 7 group members were fully familiar with SoundSlides and Audacity, I suggested they completed a 2-3 minutes multimedia project in less than 3 hours.

They did.

Alfonso Moral: Machine Man: 69th POYi

"Allah has said that a woman should behind 5 fences"

Alfonso Moral and Roser Corella were awarded POYi's First Place Award for Long Form Multimedia Story with their Machine Man, a documentary dealing with modernity and global development, with men (and women) as machines.

In Dhaka, Bangladesh, men and women undertake hard physical tasks with machine precision and routine: they load their bodies with heavy materials; they manufacture bricks; they separate plastics and they drive rickshaws. They are the machine men, a mass of millions of people who become the driving force for the city.

There's a lot of powerful work by a variety of photographers on POYi 69th which has announced its winners. However, I decided to feature the work of Alfonso Moral (photographer ) and Roser Corella (editor) on this blog, not only because Machine Man is a very well done documentary, but because they're freelance.

I might take some flak for this, but the photographers and photojournalists backed by powerful newspapers, magazines and other media such as The New York Times, The Los Angeles Times, Newsweek and the National Geographic getting awards have a considerable edge over others who don't enjoy this backing. It's therefore refreshing to see that POYi chose freelancers for this category.

Alfonso Moral is a Spanish photographer, who worked for a while with El Norte del Castiliano newspaper. He later moved to Syria and began focusing on the Middle East from where he covered Lebanon, Palestine and Iraq in addition to elections in Afganisthan and the Hezbollah movement in Southern Lebanon. Apart from winning a photojournalism grant for his work on the Palestinian refugees, his work was featured in El Pais and Newsweek amongst other publications. He is currently based in Barcelona.

Richard Van Lê: Cao Dai

I've recently found this updated short movie on Cao Dai by Richard Van Lê, which fits my current mindset, as I am thinking of a photo expedition-workshop to Vietnam in the near future.

Cao Dai (Cao Đài) is a syncretistic, monotheistic religion, officially established in the city of Tay Ninh, in southern Vietnam, in 1926. Its first disciples claimed to have received direct communications from God, who gave them explicit instructions for establishing a new religion. It's a blend of elements from Buddhism, Taoism, Christianity, Confucianism, Hinduism, Islam, and Animism.

Its saints' list is rather an eclectic one; with Buddha, Confucius, Victor Hugo, Joan of Arc, William Shakespeare, Victor Hugo, Louis Pasteur, and Jesus.

More background on Cao Dai can be found here.

Richard Van Lêis a New York City-based photographer, filmmaker, and multimedia designer. He is the founder of 138 Media LLC.

Alex Webb: Streets of Chicago

"I did not have a goal in mind. In fact, I do not have goals in mind when I photograph. I respond to what I see before me." 

Reading Alex Webb's interview on The Leica Camera Blog, I gasped (figuratively) when I got to these phrases. How refreshing to read something said by a photographer that is so devoid of pretension! No bullshit here. He responds to what he sees. He doesn't pretend to see a La Pieta (as some did in Samuel Aranda's World Press winning photograph) in any of his frames...an honest guy and comfortable in his own skin, this Alex Webb.

Perhaps uncharacteristically for many street photographers, he chose to photograph Chicago's character in color. Having mostly worked in color since 1979, Alex tells us he respond to color, and that black and white for him at this time isn't an option. He sees in color and feels in color, so works in color...for him, it's that simple.

That's an interesting statement. When I walk the streets of New York with my camera, I see in color as well, and certainly photograph in color. However, when I return home and view the resulting images, there are some that work better in monochrome than in color. This is the advantage of digital photography, which allows us to alternate between the two. Purists may disagree and will extol the incomparable qualities of Tri-X film and others...but there's no denial that we currently have the best of two worlds.

Since buying a Leica M9, I've been working on a long term project which will involve producing an audio slideshow of my street photographs of New York City. Alex Webb's Streets of Chicago certainly will inspire me to complete my project. I haven't yet decided whether my photographs will be in color or black & white, but after viewing his work, I am inclined towards color.

POV: The Dove Whisperer & Storytelling

Photo © Tewfic El-Sawy-All Rights Reserved

Regular readers know that I've joined a new storytelling website called Cowbird, and have already posted a couple of mini-stories.

I've just started a few days ago, and I've realized a couple of interesting things. First off, the community of Cowbird are not professional photographers...there are some, but the majority describe themselves as storytellers not as photographers. Secondly, haphazardly eyeballing members' pages, tells me that the majority of them reside in the United States, and by definition tell local stories.

But here's what's interesting as far as I'm concerned. The most popular story among the four I've published so far is The Dove Whisperer. I think there's a number of reasons for that. It's very brief, it's simple and it's touching...and it was one of the 'recommended' stories on Cowbird.

In my multimedia workshops, I stress that stories need to be brief, simple and compelling. So it's not surprising that The Dove Whisperer is more 'magnetic' than the rest of my stories.

And one more thing...and I also stress this in my classes, choosing a title that resonates with one's audience is almost half a battle won. We all know that a title that is mysterious, compelling, unusual but also descriptive is extremely important to the success of one's project...be that a book, article, multimedia slideshow or movie.

I don't know how Cowbird, which is still in its infancy, will evolve and mature....but the possibility of reaching a large (or I should say, a different) audience for my stories through its platform is exciting. 

Finally, The Dove Whisperer was a forgotten moment experienced in Bhutan in September 2009. I was shooting in a small monastery in Jakar when this elderly man appeared with a dove under his arm. I asked what he was doing, and was told he was a bird healer. He was known to tend birds that had broken wings, and released them once they could fly. 

The whole thing didn't last more than five minutes, and yet when I was thinking of a story for Cowbird, I remembered it, searched for the photograph and it was on Cowbird in less time.

It's funny how things remain in the recesses of one's mind, and pop out at the right time.

Anthony Pond: The Ring Train of Yangon

Whether in Myanmar (Burma), India, China, Viet Nam or elsewhere, trains or trams are wonderful to meet local people, and photograph them.

In Yangon (Rangoon), a local railway line does a loop from the city’s main station through the inner city, suburbs and outlying villages, before returning to the station some 3 hours later. The "circular" is a train for local people, offering hard (and worn) wooden seats, sputtering fans, and with occasionally stuck windows, but it's a fascinating insight into local life.

Anthony Pond has just produced another audio slideshow of black and white (toned with Silver Efex Pro 2) photographs, and which were made during a ride on the circular train of Yangon. My very favorite is the one of the elderly nun.

Anthony worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he traveled repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture.

He is joining me on my The Oracles of Kerala Photo Expedition/Workshop™ in a few weeks, and I certainly look forward to be working with him during it.

Teerayut Chaisarn: In Search of Sufis Movie

Teerayut Chaisarn is an emerging photojournalist/photographer from Chiang Mai in Thailand, and participated in my In Search of the Sufis of Gujarat Photo Expedition™ in January 2011. He recently completed a 14 minutes movie of his experience during the photo expedition, and posted it on YouTube.

Teerayut started photographing about 5 years ago, and is largely self-taught. He started work as a photographer on the magazine staff of his hometown, but preferred to become a freelance photographer. He also applied his Photoshop post processing expertise to assist various Thai professional photographers, and processes their portfolios.

The Travel Photographer Is On Cowbird!

I've just uploaded my first Cowbird story titled The Sufi Itinerant of Qutb Uddin.

While working on the photograph of Miskine, the Sufi in my post of yesterday, I realized I had a recording of him briefly telling me his life story. Coincidentally, I was invited to join Cowbird, which describes itself as "...a small community of storytellers, focused on a deeper, longer-lasting, more personal kind of storytelling than you’re likely to find anywhere else on the Web."

Cowbird seeks to feature incredible stories by some of the world's finest storytellers, and present them in the most beautiful storytelling environment on the Web. Its community consists of journalists, photographers, writers, artists, filmmakers, designers, explorers, and many others.

"incredible stories by some of the world's finest storytellers"

It allows members of its community to produce multimedia stories, incorporating text, photos, sound, subtitles, roles, relationships, maps, tags, timelines, dedications, and characters, thus mixing elements of traditional storytelling with elements of technology.

I'm excited to have joined Cowbird, and will upload new single image stories as time permits. I've seen that Aaron Huey, a fantastic photographer has also joined Cowbird, and already has a number of stories on it. This one of Zahoor is especially wonderful!

Readers of this blog who feel, as I do, that this is an exciting venue to display their storytelling talents, request an invite from Cowbird...as I did.

Tony Smith: Kolkata's Cult of Durga (In Motion)

I'm glad Tony Smith has now produced an audio slideshow of his work during the Kolkata's Cult of Durga Photo Expedition/Workshop. The software he used to produce it is ProShow Producer, rather than SoundSlides that I normally use on my workshops. His audio slideshow is divided into chapters or segments which coincied with the different phases of the Durga Puja festival.

Tony is an Associate member of the Royal Photographic Society, and he traveled to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada and the West Coast of Ireland. He has attended Hindu, Christian, Muslim, Buddhist and Gypsy religious and secular festivals..

He worked quite hard during the Kolkata's Cult of Durga Photo Expedition/Workshop to produce his audio slideshow on the festival; however and much to my disappointment, he has not added to it his narrative skills which are enhanced by his precise enunciation. Perhaps that'll happen in a forthcoming iteration?

In the meantime, I suggest you view his blog entry on his experiences at the Durga Puja during the workshop, which also has a number of his photographs of the festival.

It's Thaipusam Time...

"The Hindu festival of Thaipusam is about faith, endurance and penance."

Thaipusam is to occur today 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves...and if my network intelligence is accurate, a group of Asian photographers, such as Mervyn Leong, Maika Elan and Hai Thanh (to mention only a few) are already in place to document it..

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

This Thaipusam trailer's direction, cinematography and editing is by Dick Chua, the production coordinator is Kah Hooi Lai, the production assistants are Gary Chuah and CH Tan.

Anthony Pond: On Yangon's Wharf

Here's an audio slideshow of black & white stills by Anthony Pond on the porters at Yangon's wharf. It's his first attempt to use SoundSlides and Audacity, and I am impressed.

Anthony Pond worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he traveled repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture.

His photography website has galleries of his work from Laos, Nepal, India, Burkina Faso, Mali, Cuba, Mexico and Cambodia, as well as others.

Anthony is joining me on my The Oracles of Kerala Photo Expedition/Workshop™ this coming March, and I certainly look forward to be working with him during it.

Amy Helene Johansson: 88 1/2

I'm extremely pleased to feature Amy Helene Johansson's evocative new work titled 88 1/2; a 5 minutes film which revolves around Jack O'Connell, an eccentric film director who lives in Manhattan and who recalls his days with the greats...Federico Fellini and Michelangelo Antonioni.

Reminiscent of the fabulous New York Times' One In 8 Million series (which sadly have been discontinued), Amy's terrific short film has captured the very essence of this film director...she directed, filmed and produced it after spending 3 weeks with Jack in New York this past fall, and tells me she has much more material to work on.

Amy Helene Johansson studied film and theatre theory before earning a BA in fashion design. Witnessing the power of photography to tell the stories of people without voices, Amy ditched her pencil and paper and bought her first ever professional camera and embarked on a successful career as a photojournalist.

She was published in leading broadsheets and magazines in the UK and Sweden, including the Sunday Times UK, Dagens Nyheter, Sydsvenska Dagbladet, Amelia and Omvärlden. She also picked up first prize in Asian Geographic Magazine “Faces of Asia Award”, and won the “Foundry Emerging Photojournalist Award. Her work has taken her all over the world covering topics as wide-ranging as Burmese refugees to the Cabaret culture in Denmark. Her work has been displayed in solo and collaborative exhibitions in Bangladesh, the Czech Republic, Sweden and the UAE. She is currently exhibited at the National Portrait Gallery in London.

What's with these alum of the Foundry Photojournalism Workshop??? Both Amy and Agata (yesterday's post) produced brilliant work!