Diana Markosian: The Girls of Chechnya

Photo © Diana Markosian-All Rights Reserved

An interesting glimpse in an area that a relatively few are really familiar with...Chechnya, was recently featured by TIME Lightbox.

Diana Markosian's Goodbye My Chechnya is such a glimpse into the lives of young Chechen women who witnessed the horrors of two wars, and are coming of age in a country that is rapidly rediscovering its Muslim laws and traditions.

It's particularly interesting to view Diana's photographs of these Chechen women and their traditions and compare them to Oded Balilty's photographs of the Jewish ultra orthodox communities, which included a series on a traditional Hasidic Jewish wedding.

Two separate religious traditions, often at odds with each other....and yet similar in so many ways. And as both photo essays are made of such compelling photographs, that the comparison between the two from an aesthetic point of view bring this point very clearly to the forefront.

According to Diana Markosian,  Chechnya is experiencing a wave of Islamicization since the collapse of the Soviet Union.  Religious dress codes are the rule, young (and polygamous) marriages are frequent and gender roles are increasingly conservative.

Ed Ou: Yemeni Camel Jumping

Photo © Ed Ou/Reportage by Getty Images (Courtesy The New York Times)

I enjoyed Ed Ou's account in the LENS blog of The New York Times of how he had stumbled across the unusual practice of camel jumping in Yemen.  The photographer, known for having documented most of the events during the Arab Spring, was in the country and decided to revisit the remote region of Tehama, which had been the site of one of his most memorable photographic experiences in 2009.

Camel-jumping is an event that takes place during celebrations in that region, which counts as one of the poorest in the country. It seems that in the early evening, 4 or 5 camels are lined up, the contestants take running starts and leap over the animals.

It got me wondering if there was any connection between this form of contest and the jumping of the bulls ceremony practiced by the Hamar tribe (and others) in the Omo Valley in Southern Ethiopia. The jumping of the bulls is more of a marriage ritual and ceremony than a contest, since the men performing it are about to get married...and should they fail to jump over the bulls four times, they won't be allowed to wed.

After all, Yemen and Ethiopia are geographically close to each other, and have very strong historical, commercial, religious and cultural ties.

Here's also a short video by Ed Ou of the camel jumping contests.

Leica & Magnum: Chien-Chi Chang's Chinatown

Chien-Chi Chang's work in this short video is a singular treat because it'll appeal with many of the street photographers who find New York City's Chinatown to offer the richest of visual opportunities...and I'm one of those.

This photo essay is made of a collection of photographs taken between 1992-2011, and each photograph is paired with a short clip of audio...which is a brilliant idea, and one I shall try to emulate as I walk the streets of NYC. I am certain that adding 5 seconds or so of high heels on the sidewalk of Bleecker Street and some pedestrian chatter for instance, will enhance the visual experience. I have already tried this yesterday, and it isn't as simple as it sounds.

But back to the Chien-Chi Chang's Chinatown. It is estimated that more than 100,000 Chinese live in the Canal Street are of NYC, which is the largest Chinese community outside of Asia.

The photographer spent 19 years documenting the lives of men from the Chinee province of Fuzhou who leave their wives and families to work as dishwashers, cooks, carpenters and day laborers in New York City’s Chinatown. they spend their days at work, usually in difficult circumstances, and live in overcrowded dorm like apartments where they cook, eat, sleep and dream of prosperity and of home.

Angkor Photo Festival 2012: Submission Calls

Angkor Photo Festival is calling for submissions with a deadline of May 31, 2012!!!

The festival's 2012 program will present works photographed throughout the world through exhibitions and slideshows in Siem Reap, with no imposed theme.

The submissions guidelines and form contain all the information needed on how to submit work for this year’s festival. 

The festival will be held from December 1– 8, 2012 in Siem Reap, Cambodia. The deadline to submit the application is May 31, 2012, and all photographers will receive an answer by the end of July 2012.

Since its inception in 2005, more than 180 young photographers from all over Asia have been selected to participate in the annual free Angkor Photo Workshops. Conducted by renowned international photographers who volunteer their time, the Angkor Photo Workshops provide participants with firsthand training, invaluable exposure and a chance to perfect their art.

Over the years, the workshop has highlighted emerging talent from the region, and many previous participants go on to embark on successful photography careers both regionally and internationally.


I attended the Angkor Photo Festival last November and one of my photo essays The Possessed of Mira Datar was featured at the festival. 


I was greatly impressed by the Angkor Photo Festival's evenings at the FCC, and by the quality of the curating. Francoise Callier and Jean-Yves Navel were not only paragons of hospitality, but were instrumental in making a success of the event, along with the assistance of Camille Plante and Jessica Lim.

This is a phenomenal opportunity for all photographers, emerging and established. Submit your work for inclusion in the Angkor Photo Festival. You'll never regret it.

Foundry Photojournalism Workshop: Scholarships Announced

The Foundry Photojournalism Workshop has announced the winners of the Foundry full tuition scholarships for its 2012 Chiang Mai workshop.

Eric Beecroft, Director of the workshop, stated that the amount of entries was unprecedented, and the quality of work received was stunning.

The awardees are:

Arif Setiawan, Indonesia

Saw Banyar, Burma/Thailand

Barat Ali Batoor, Afghanistan

Ajit Bhadoriya, India

Enrique Leopoldo Benedicto Cruz, Philippines

Satirat Dam-ampai, Thailand

Nguyen Thanh Hai, Vietnam **

Ekkarat Punyatara, Thailand

Roger Anis, Egypt

Fabian Weiss, Germany

Ilkin Huseynov, Azerbaijan

Simona Pampallona, Italy

**Nguyen Thanh Hai is also known as Maika Elan, and I'm especially pleased she will be working with me on my Vietnam; North of the 16th Parallel Photo Expedition-Workshop this coming September.

If any of my readers are still on the fence with this unequaled opportunity to attend phenomenal classes with top-class photographers and photojournalists, and expand their network with their peers and others, I really can't urge you strongly enough to get off that fence and join!!!!

Travelling Lens Workshop To Ladakh...

What would you get if you mixed a troika of world-class women photographers with the visionary founder of a photojournalism workshop with an expert on Ladakh...and asked them to lead a 15 days photography workshop in a remote corner of the Indian Himalayas?

You'd get the Travelling Lens Master Class...that's what!

The Masterclass Workshop is led by Eric Beecroft (the founder of the Foundry Photojournalism Workshop) and by Varun Gupta, a photographer with first hand knowledge of Ladkah and an alum of the Foundry), with the  extraordinary talents of Andrea Bruce, Maggie Steber, and Ami Vitale as workshop instructors (they are also instructors with the Foundry Photojournalism Workshop whom I know well and respect).

As mentioned on the workshop's website, this is a journey to one of the world's most epic locations, with full access to these professionals for guidance in the participants' photography career.

The dates of the workshop are from June 21 to July 5, 2012 and the journey will include some days in Balistan, in the very heart of the Karakoram.

This is a unique opportunity of joining some of the best Foundry Photojournalism Workshop instructors, so visit the Travelling Lens Workshop website for full details.

POV: My Take On The World Press Photo Of 2012

Photo © Samuel Aranda-Courtesy World Press Photo

Well, the results were in from the World Press Photo 2012 contest, and it was Samuel Aranda who won the coveted title of World Press Photo of the Year 2012 award with his photograph of a veiled woman holding a wounded relative inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen.

Much has been said and written about whether this photograph deserved the award or didn't, and various opinions from respected photographers, editors and the like, literally flooded newspapers, websites and blogs...and on social network sites. Everyone has an opinion...and voiced it. NPR even compared the scene to the Pieta, writing "the image bears an uncanny resemblance to Michelangelo's iconic (and religious) Pieta. Along those lines, The New York Times describes it as having "the mood of a Renaissance painting."


Ah, well...is this perhaps too much artsy thinking?

Whatever.

But here's my take. I think the photograph is certainly powerful and compelling. Is it a great photograph? Maybe, maybe not...but it certainly hits home with its depiction of pain, anguish and upheaval arising from one of the countries least known in the Middle East...Yemen. This is not the often seen pictures of young protestors with painted faces or gas masks, civil war or brutal police or military violence. Just a profoundly sad image.

Another thing struck me. Here's a photograph of a scene of a badly injured protestor, lovingly cradled by a woman totally veiled, covered in a niqab and wearing gloves. While she is virtually faceless, I  sensed her pain, her suffering and agony by her body language...which no niqab can hide. Her being covered up so fully may even compound the poignancy of the scene.

And that's the power of this photograph.

And yes, niqab-wearing women are sentient human beings...they're mothers, wives, sisters, daughters and experience suffering, anguish. love and affection as we all do.

That's my take on it. And in my view, that's why it won.

Samuel Aranda was born in 1979 in Santa Coloma de Gramanet, Barcelona, Spain. When he was 19, he began working as a photojournalist for El Pais and El Periodico de Catalunya. A few years later, he traveled to the Middle East to cover the Israeli-Palestinian conflict for the Spanish agency EFE. In 2004, he joined Agence France-Presse, covering multiple conflicts and social issues in Spain, Pakistan, Gaza, Lebanon, Iraq, Palestinian Territories, Morocco and Western Sahara.

The Frame: The Magh Mela

Photo © AP / Rajesh Kumar Singh- All Rights Reserved 

The Sacramento Bee's The Frame brings us more than 30 large sized photographs of the Magh Mela.

The Magh Mela is one of the greatest annual religious pilgrimages for Hindus. In Hindu mythology, the Magh Mela's origin is said to be the beginning of the universe. It's held every year on the banks of Triveni Sangam (the confluence of the three great rivers Ganga, Yamuna and Saraswati) in Allahabad (UP).

The holy pilgrimage and festival is organized every year during the Hindu month of Magh (mid January - mid February), and is a smaller version of Kumbh Mela.

One of the photographs featured by The Frame is of the pontoon bridges that allow the pilgrims to cross to the area of the Sangam, and it reminds me (so very vividly) of my pre-dawn walks on these very same bridges during the Maha Kumbh Mela of 2001. I can still feel the sensation of being in the midst of a moving "caterpillar" of thousands of people. It was an indescribable thrill of being in such an environment with a multitude of opportunities to photograph the spectacular characters who attend such religious gatherings, that I described as "ascetics, mendicants, mystics, beggars and charlatans".

Stop a moment in sympathy at the photograph in The Frame's series in which a woman weeping as she searches for her son in the massive crowd gathering of the Magh Mela. I witnessed such scenes in 2001, and they're heart-rending. However, I was told that the majority of lost children are reunited with their families.

Mark Carey: Viet Nam In Black & White

Photo © Mark Carey-All Rights Reserved

"My photographic heart lies in documentary, showing things as they really are, not as someone has contrived them to be..."

Here's a photographer who shares my own photographic credo. 

Mark Carey is a London-based documentary photographer, and who tells us he never had an interest in photographing posed or set-up shots, whether for his wedding photography or during his travels. I suggest you view his wedding portfolio, and see this documentary/photojournalism style applied to the weddings he covered.

His travel portfolio consists of three main galleries; Rajasthan, Varanasi and Viet Nam, which I think has extremely well composed black & white (one or two are in color) street photographs. I don't know if Mark shoots from the hip, but the subjects in many of the photographs appear to be oblivious of his presence....street photography at its best.

It's been too long since my last visit to Viet Nam, and I am starting to lay out plans for a photo expedition/workshop at some point to take place in this wonderful country.

A highly recommended viewing stop for all those interested in Viet Nam and solid street photography! Great travel photography does not need to be in color!

A Year Ago...Egypt

Photo © Ed Ou - All Rights Reserved

In remembrance of those who fell in Tahrir and elsewhere. The Egyptian revolution started a year ago today, and is still ongoing.

And to the naysayers, neo-cons and the rest of the mindless individuals who prefer Arab dictatorships, and see democracy (as imperfect as it may be) taking its first steps in Egypt and the rest of the Middle East as an existentialist threat, go screw yourselves.

And to those who are optimistic, here are, via Foreign Policy Magazine, the young Egyptians who will eventually succeed in achieving what they started.

The Year Of The Dragon: Gong Xi Fa Cai!

Photo © Mark Ralston/AFP/Getty Images-Courtesy Al Jazeera

Ethnic Chinese, Koreans and Vietnamese across Asia are ringing in the Year of the Dragon with fireworks, festivals and family reunions. Legend has it that Chinese people descended from a dragon, and it's believed the powerful creature is auspicious. The tradition dictates that those born in Dragon years tend to be brave, innovative and highly driven, regularly making it to the top of their profession. In China, the holiday is known as 春节, the Spring Festival, and kicks off 15 days of celebration.

Al Jazeera's In Pictures, The Atlantic's In Focus, The Boston Globe's The Big Picture and the Los Angeles Time's Framework featured photo galleries of the celebrations all over the world.

Photo © Rungroj Yongrit/EPA-Courtesy LAT

I wish all the very best to my friends and readers in Asia and elsewhere who celebrate the Year of the Dragon.

In New York City's Chinatown, a Lunar New Year parade is scheduled for January 29 on Canal Street South from 11:30 to 4 pm. I bet many photographers will be there!!

Russia By Rail via NPR

Photo © David Gilkey- Courtesy NPR

I rarely post on Russia!

On the map that shows where The Travel Photographer blog readership comes from, every continent is dotted with thousands of dots of where the daily hits originate...the least (after sub Saharan Africa) dotted  area is Russia. So perhaps this post will redress the situation.

"Six thousand miles. Seven time zones. And endless cups of hot tea."

National Public Radio's David Greene along with producer Laura Krantz and photographer David Gilkey boarded the Trans-Siberian Railway in Moscow and took two weeks to make their way to the Pacific Ocean port city of Vladivostok, and produced this impressive Russia By Rail series.

The NPR series tells us that it's one of the world's longest train trips, and passes through one of the world's largest forests and runs along the shoreline of the world's largest freshwater lake, Lake Baikal, which holds nearly 20 percent of the world's fresh water.

Interestingly, Gilkey says that their gear included all sorts of recorders, microphones, high-end digital cameras and an iPhone 4. It appears the iPhone was essential because it could be used more easily than regular cameras that are viewed with some suspicion by some Russians. Many of the images in the galleries were made with the iPhone.

Equally interestingly, Gilkey also used new instant film material for the classic Polaroid cameras; results of which can be viewed in the Freeze Frame section of the series. Very atmospheric old timey images.

Brazil's ArcaPress Collective

I usually don't mention photographers collective on this blog, but I found that ArcaPress (started in May of 2010) which highlights Brazilian culture and covering such areas as religion, indigenous people, economic issues, urban reality, environment and wildlife.

I was particularly drawn to Between Faith And Fever by Guy Veloso, and Maracatu by Celso Oliviera.

Maracatu is the name of performance genres found in northeastern Brazil and in its northeastern state of Ceará. Maracatu describes the music style that accompanies these performances. Maracatu has close ties to Afro-Brazilian religious ceremonies, and these performances are secular manifestations of these cults.

The Frame: The Virgin Of Guadalupe

Photo © Anita Baca-All Rights Reserved

Did I realize that the church of Our Lady of Guadalupe on 14th Street (not far from where I live in New York City) would commemorate one of Mexico's most important religious holidays this past Monday? Of course not. I only find out stuff like that after the fact.

However, The Frame of The Sacramento Bee has featured 17 photographs of the celebration of this popular religious festival in Mexico City when millions make the pilgrimage to honor the dark-skinned virgin, said to have appeared to an Indian peasant on Dec. 12, 1531.

According to the captions accopmpanying the images, an estimated 5 million people from across Mexico arrived at the basilica Monday carrying large frames, wooden sculptures and ceramic statues of the virgin on their backs. The Nuestra Señora de Guadalupe is recognized as a symbol of all Catholic Mexicans.

I chose to feature Anita Baca's photograph (above) showing a pilgrim who journeyed by foot from the state of Hidalgo, posing for a photo in front of the image of Our Lady of Guadalupe, while a fellow pilgrim stands by, not only for its colors but for its composition. Notice how the curve of the dark sombrero matches the curve of the icon.

Ed Ou: The Egyptian Youth

Photo © Ed Ou-All Rights Reserved

The news that "Islamists" seem to have won a majority in Egypt's first Parliament since the ouster of Mubarak is being reported by the US media in disquieting vocabulary, especially since it came at the expense of the liberal parties and youth activists who set off the revolution.  Many secular Egyptians are expressing alarm and anxiety at the result of the initial round of Parliamentary elections, while others shrug off these results by predicting that the Muslim Brotherhood (as one of the factions described as Islamists) may well have a majority, but will either choose or be forced to exert its political clout in a moderate fashion.

Ed Ou has covered the momentous events in Egypt ever since the start of the revolution, and has recently featured his work in progress of The Egyptian Youth.

Ed is a Canadian photojournalist who has been working in the Middle East, former Soviet Union, Africa, and the Americas. He started his career as a teenager, covering the 2006 war between Israel and Hezbollah in southern Lebanon, and the fall of the Islamic Courts in Mogadishu, Somalia. He worked for Reuters and the Associated Press, and was also an intern at the New York Times.

He is the recipient of a Global Vision Award from POYi, a 1st Place Contemporary Issues award from World Press Photo, and other recognition from the Overseas Press Club, Ian Parry Scholarship, Best of Photojournalism, PDN Photo Annual, UNICEF, among others. He has been selected for a Getty Images Editorial Grant, PDN 30 Under 30, and took part in the World Press Photo Joop Swart Masterclass. He was recently awarded the City of Perpignan Young Reporter Award.

via PhotojournalismLinks

POV: Moises Saman And Cairo Undone

Photo © Moises Saman-All Rights Reserved  

How wrong I was! I always dismissed the idea of photographing street life in Cairo by saying that there was nothing to photograph there...not much color, no vibrancy....but that began to change after the January Revolution. Was it a subconscious rejection of the then-prevailing environment? Or simply because I was blase about photographing in my own backyard...albeit one that I left for more than 30 years? Was it both? Perhaps.

That admission being made, I have to clarify that I speak only of street life rather than particular cultural subject matters, such as documenting Sufi rituals such as those I photographed a few years ago.

What changed my mind is the brilliant photo essay in The New York Times titled Cairo Undone by Moises Saman.  The photo essay (it's really a gallery as there's no storyline nor timeline) is of snapshots (I use this term very respectfully) of daily life in Cairo...the gritty, the edgy, the incomprehensible, the political and the anachronisms that dominate this teeming city.

I intended to post this as soon as I saw the photographs, but I was in Siem Reap and just couldn't find the time. I have viewed and re-viewed this work many times, and it revived in me a hunger to document facets of this city. Is it a nostalgic yearning? I doubt it...I don't think that way. It's similar to my documenting the Sufi rituals in various countries...that is nothing more than an intellectual and aesthetic pursuit.

It's the same for Cairo...nothing more nothing less. But time will tell.

Global Post: Egypt's Women Of Revolution

Photo © Elizabeth D. Herman-All Rights Reserved

While I'm here in Siem Reap, I am following the events in Cairo with mixed feelings...feelings of pride and anxiety. The outcome of the 'rebooted' Egyptian revolution is impossible to predict, but some pundits have describe the current events in Tahrir Square as Egyptians trying to reclaim their January 25 revolution from the military.

There are a number of recent photo essays from Tahrir Square, but I thought I'd feature the work of Global Post's Elizabeth D. Herman titled Egypt: Women of the Revolution.

This is a compelling gallery of 18 photographs along with captions that tell us the back stories of each photograph. Last month, Elizabeth Herman spoke to 13 Egyptian women about the media’s coverage of women’s involvement in the Egyptian revolution. Their roles were varied, as were their experiences and reactions to the revolution, with some having actively joined the movement and others forced to do so by circumstance. All have much to say about how it has affected their lives, and how their experiences are similar to — and different from —those of other Egyptian women.

As is customary whenever readers' comments on the news of the Egyptian revolution appear in The New York Times, Islamophobia and political agendas raise their ugly heads. Comments describing the Egyptian revolutionaries as 'savages', and others hoping that the upheaval would not harm Israel (presumably this being much more important than Egyptians having basic human rights) are sent to the newspaper and published without consideration.

And, of course...we have some of the US press indulging the American proclivity for inward introspection, narcissism, and insularity. Just take a look at TIME's cover for its US edition as compared to the rest of the world's.

Both hilarious and sad at the same time.

Foundry Photojournalism Workshop 2012: Thailand!

Eric Beecroft, the co-founder of the Foundry Photojournalism Workshops, has just announced that it was ready to accept early registrations ($100 deposit, non refundable, and deducted from the total tuition amount) until January 15, 2012. Early registration guarantees a spot and precedence in the choice of instructor.

The 2012 Foundry Photojournalism Workshop will be held in North Thailand from July 29- August 4, 2012.

For regional students (South Asia-- India, Pakistan, Nepal, Sri Lanka, Tibet and South East Asia-Thailand, Burma, Vietnam, Phillippines, Laos, Cambodia,Indonesia, Malaysia) the tuition is $475. For all others it is $975 US dollars. Payment is via Paypal.

So spread the word via social network sites, Facebook, Twitter, etc.

On The Way To The 7th Angkor Photo Festival

I'll be traveling tomorrow to London for a brief stopover before flying off to Siem Reap via Abu Dhabi and Bangkok. I chose to fly Etihad, the Abu Dhabi airline, from London to Bangkok after hearing it offered an impressive flying experience in terms of comfort and service.

The festival itself is to take place in Siem Reap from November 19 to November 26, 2011. This well established event is the first photography festival held in Southeast Asia and for 2011, will exhibit the work of 110 photographers, out of whom 60 are from Asia.

The 2011 list of exhibiting photographers includes Andrew Biraj, Pep Bonet, Paula Bronstein, Marco Di Lauro, Tewfic El-Sawy, Siddharth Jain, Yuri Koryzev, Liz Loh-Taylor, Wendy Marijnissen, Erica McDonald, Palani Mohan, and many more.



On the subject of Cambodia and Siem Reap, I thought I'd re-mention To Cambodia With Love, a book published by Things Asian, illustrated with my photographs of Siem Reap.

It's described as "With its unique insights into dining, shopping, sightseeing, and culture, To Cambodia With Love is a one-of-a-kind guide for the passionate traveler."

It can be purchased from various online bookstores, and I believe the Siem Reap bookstores have it in stock.

I expect my posts might be irregular whilst traveling, but I'll try my best to update my readers with my gallivanting during the Angkor Photo Festival.

Occupy Wall Street

Photo © Tewfic El-Sawy-All Rights Reserved

More of my OWS photographs can be seen on The Leica File.

Yesterday morning was sunny in New York City, but it was cold in the canyons of Wall Street and its neighboring streets.  And yet, Zuccotti Park was full to the brim with the currently residing protestors, sympathizers from all walks of life, gawkers and tourists...and naturally the members of the NYPD, whose main function it seemed (at least when I was there) was to tell the onlookers not to block the sidewalk.

The atmosphere in the Park was jovial and collegiate. Reasonably clean, with the protestors expressing very friendly vibes to the sympathizers and tourists alike. It was not unexpected that a few weirdos were in attendance, but they weren't getting much attention. Photographers were a dime a dozen...pros as well as non-pros. Television crews were ambling about, trying to get footage that hadn't been done before. Two ladies were busy knitting woolen things for the OWS protestors, while a long and orderly line snaked to the tables where fresh and appetizing food was being served.

At one end of the Park, a lively group of protestors were drumming eclipsing the valiant efforts of a saxophonist, whilst a man was typing some manifesto on -inexplicably- a manual typewriter. A few American flags were hoisted here and there...and vendors seemed to be doing a brisk sale of commemorative lapel pins.

I was gifted a small Hohner harmonica by a protestor who urged me to attend some demonstration later on. Whilst walking around the part, I was accosted by a photographer who asked me if I was The Travel Photographer! It was Charles Meacham, a photographer I featured a number of times on this blog. What a small world! Since he had been featured for his excellent work on the Sikhs, I had assumed he lived in India...but he's from NYC as well.

Like many other sentient individuals, I sympathize with most of the OWS positions...however I fear that all this remarkable civic energy would be better expended in Washington DC. This is where the responsibility for our difficulties lie.

PS. The mellowness that I witnessed may not have lasted long. The NY Times has this.